Title Page, Copyright Page
pp. i-iv
Table of Contents
pp. v-vi
Roman Jakobson, Gordon Wasson, and the Development of American Slavic Studies
Henryk Baran
pp. 1-18
Metamentality in Преступление и наказание
Brett Cooke
pp. 19-36
“I Shall Not Wholly Die”: Literary Memory in Evgenia Ginzburg’s ‘Whirlwind’ Memoirs
Olga M. Cooke
pp. 37-48
From a Double Margin: Anglophone Translation of Women’s Writing from Croatia and Serbia
Sibelan Forrester
pp. 49-64
On Romantic Lateness: Viktor Tepliakov’s Thracian Journey with Byron to Schelling
Luba Golburt
pp. 65-80
Identity Narratives Unraveled:The Bulgarian Film Mission London
Angelina Ilieva
pp. 103-120
Madonna on the Field of Battle:Searching for Mary in Isaac Babel’s Red Cavalry
Jenny Kaminer
pp. 121-130
Traumatic Repetition in Vasilii Grossman’s “The Hell of Treblinka” and Everything Flows
Ani Kokobobo
pp. 131-146
The Contemporary Artist as a Trickster: The Case of Dmitrii Prigov
Mark Lipovetsky
pp. 147-156
Writing Down the Nation: Race, Nation, and Gender in Vuk Stefanović Karadžić’s Vision of Modern Serbia
Tomislav Longinović
pp. 157-170
Leo Tolstoy as a Mirror of the Culture Wars: Anna Karenina and the Humanities in the 21st Century
Susan McReynolds
pp. 171-186
The Old Slavic Digenis Akritis: Its “Formulaic Style” and Problems of Its Edition
Robert Romanchuk
pp. 187-212
Writer-Collectors: Mimesis and Transmissibility in Nabokov and Benjamin
Lisa Ryoko Wakamiya
pp. 213-224